music
January 8, 2026
Singer-songwriter Bill Callahan: ‘I’m not a craftsman
Preceding the release of My Days of 58, the Americana legend once known as Smog discusses his Yorkshire youth, why Spotify is like the mafia and the bleak state of AI

TL;DR
- Songs have unpredictable lives once released, with listeners finding unique applications, such as "Our Anniversary" being used for weddings.
- The artist would choose to collaborate with Lee "Scratch" Perry or King Tubby if given a week in a studio with a peak dub artist.
- Childhood memories include exploring forbidden farmland and orchards in Knaresborough, England, and experiencing culture shock as an American in 1970s England.
- The music industry's move to streaming is seen as coercive, resembling mafia tactics, forcing even independent labels like Drag City to adapt.
- The long-term relationship with Drag City Records is described as a partnership where they grew together, allowing the artist complete creative control.
- The artist finds inspiration in lyricists like Randy Newman and Stephen Malkmus for their humor and verbal acrobatics.
- They reject the term 'craftsman' for their approach to music, preferring to be seen as a 'drunk professor' who embraces happenstance and mistakes.
- Meditation, starting around 2004 after moving to Austin, is considered crucial for their creative process.
- The artist is opposed to licensing their voice for AI-produced songs, viewing AI as devaluing human creativity and effort.
- Perfect songs heard in dreams often disappear upon waking, but the artist actively seeks to connect with their subconscious for inspiration.
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