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'It was lonely being a young queer artist': Sam Smith on finding health, happiness

On their new album, Smith is subverting their singer-songwriter roots to tell a queer love story. They talk about their shifting fanbase, the nasty undercurrents of fame – and finding sanctuary in New York City

'It was lonely being a young queer artist': Sam Smith on finding health, happiness

TL;DR

  • Sam Smith's 'To Be Free' tour and fifth album 'Hazel Eyes' prioritize intimacy over large-scale theatricality.
  • The album reflects Smith's personal journey, including relocating to New York City and finding a sanctuary as a queer person.
  • Smith has faced significant backlash and vilification, particularly from right-wing commentators, since coming out as non-binary in 2017.
  • 'Hazel Eyes' is a more clear-eyed assessment of relationships, co-produced by Smith, marking a deeper artistic involvement.
  • The album's sound channels a 70s blend of blues, folk, R&B, and outlaw country, with a more relaxed and intimate writing process.
  • Smith sees 'Hazel Eyes' as a return to singer-songwriter roots, singing traditional tropes through a unique queer, non-binary lens.
  • The success of 'Unholy' provided Smith the freedom to return to their classic sound and prioritize artistic expression.
  • Smith is actively working to reset their relationship with the public on their own terms, focusing on emotional truth and artistic prerogative.
  • The artist established the Pink House foundation to support the LGBTQ+ community, shifting focus from personal legacy to broader impact.
  • Smith finds pride in being part of the legacy of Julius', a historic gay bar in New York City, where some of 'Hazel Eyes' was written.